Assistant Sound Editor
Foundation Member
London-based audio post-production professional with six years of experience across short film, documentary and commercial projects, with a solid understanding of the sound editorial process from Pro Tools session building and conforming through dialogue and effects editing, re-cutting, and mix preparation.
Used to balancing both technical workflow and creative detail, with an understanding of how editorial choices can support performance, pace and storytelling across a project.
Comfortable supporting senior editors, sound supervisors and mixers within fast-turnaround environments, while adapting quickly to established workflows and helping maintain a smooth post-production process.
Currently available for assistant sound editor and sound editorial support roles within film and television post-production.
AVID Excellence in Sound Design Award (2026)
Georgian (native), English, French, Russian
