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Tuesday, 21st March 2023
Open letter to Production, from mainly US Production Sound Mixers, but with some input from mixers in UK. 78kB. PDF.
Tuesday, 19th May 2015
We have recently updated this letter
We are aware that many of our Members are receiving screen credits that can cause confusion, particularly for the various institutions that grant sound awards.
This open letter to Producers requests recognition for, and application of, the more up to date format for Sound screen credits and encourages the use of the suffix AMPS after the name of all Full Members screen credits in the appropriate grades.
Tuesday, 24th July 2012The making of Film and TV productions is an undeniably expensive business. As audience expectations rise for both sound and image it is certain that the pressure on future budgets will only grow. As productions look at ways to save money, or distribute their spend in a different manner, AMPS would like to suggest how to maximise the return on budget financially while producing a high quality and creative sound track for your production.
Tuesday, 24th July 2012The Recommended Standard Sound Package for TV Drama is provided to offer guidance to Production Management personnel. Each Production will have its specific Sound requirements determined by consultation between the Director and Production Sound Mixer. Additional facilities not included in the Standard Package are subject to normal commercial charges. Examples of additional facilities are appended.
Thursday, 1st May 2008Open letter to Production, from mainly US Production Sound Mixers, but with some input from mixers in UK. 78kB. PDF.
Sunday, 1st April 2007A 'plea' from Fred Ginsberg. An old document, but many points are still very current!