Anna covers all areas of sound editorial, including supervision, she is also happy to be a member of your team. Specializing in Fxs and Foley recording for Film,TV & Animation. She is also a experienced dialogue editor, she began her career in factual at 'Telecine' and Blue moving over to film/tv drama at Ascent’ in 2002, and later going freelance. A diligent and friendly individual with over 19 years solid experience. Creative, flexible and client-focused, adapts easily to the varying schedule times of different projects and is very well-equipped to rise to any challenge. She has full time access to various foley stages with partners and collaborates with several mixers & studios- Full sound packages available on request.
Recent projects include -
'Hotel Portofino' (6pt drama) Effects Editor
'The Madame Blanc Mysteries' Dialogue Editor
‘Christmas on Mistletoe Farm’ Dx Editor / ADR Supervisor
‘Love Without Walls' Dialogue Editor / Effects Editor
‘Bank of Dave’ ADR Editor / ADR Supervisor
‘Darkfield’ (Binaural Podcasts) Sound Designer / Foley Artist
‘Publish or Perish’ Foley Mixer / Foley Supervisor
'Medusa' Foley Supervisor & Mixer
'The War Below' Foley Supervisor & Effects Editor
'The Owners' Dialogue Editor
'Game of Thrones : The Last Watch' Sound Designer
‘A Serial Killers Guide to Life’ Supervising Sound Editor / Sound Designer
'Waffle the Wonder Dog' 60 pt kids drama Foley Mixer / Supervisor.
'Nativity Rocks' Lead Sound Effects Editor
'Snatch' (10 pt drama) Sound Effects Editor.
Anna served as member of AMPS council for 2 terms (8 years) and was Vice Chair in 2014. Additionally she served on the Events committee for over 5 years. Events she headed include seminars with David Arnold, Chris Watson, Eddy Joseph and Graham Hartstone plus regular Soho screenings at Dolby and De Lane Lea. She is a member of MPSE and BAFTA and Co Founder of WWAS (Women who are Sound).
EA Game Trailer 'Crysis 2 The Wall' was
best use of sound, gold winner at Promaxbda M16 Game Marketing Awards. Anna's role was Sound Designer.