Anna covers all areas of sound editorial, including supervision, she is also happy to be a member of your team. Specializing in Fxs and Foley recording for Film,TV & Animation. She is also a experienced dialogue editor, she began her career in factual at 'Telecine' and Blue moving over to film/tv drama at Ascent’ in 2002, and later going freelance. A diligent and friendly individual with over 19 years solid experience. Creative, flexible and client-focused, adapts easily to the varying schedule times of different projects and is very well-equipped to rise to any challenge. She has full time access to various foley stages with partners and collaborates with several mixers & studios- Full sound packages available on request.
Recent projects include -
Medusa (foley supervisor & mixer)
The War Below (foley supervisor & fxs editor)
The Owners (dialogue editor)
Game of Thrones : The Last Watch (sound designer)
‘A Serial Killers Guide to Life’ (supervising sound editor / sound designer)
A Feral World (dialogue editor & foley mixer)
'Waffle the Wonder dog' 60 pt kids drama (foley mixer / supervisor)
Nativity Rocks (Lead fxs editor)
'Snatch' drama 10 pt drama (fxs editor)
‘Dau’ (Art Project) (fxs & foley editing and recording)
'Just Charlie' (supervising fxs editor and foley supervisor)
'A Dark Song' (dialogue and ADR editor)
'Kong - King of the Apes 16pt animation S1 &2
(foley artist/ supervisor)
'Luna' (sound design) (Raindance Winner Best British Feature)
Anna served as member of AMPS council for 2 terms (8 years) and was Vice Chair in 2014. Additionally she served on the Events committee for over 5 years. Events she headed include seminars with David Arnold, Chris Watson, Eddy Joseph and Graham Hartstone plus regular Soho screenings at Dolby and De Lane Lea. She is a member of MPSE and BAFTA and Co Founder of WWAS (Women who are Sound).
EA Game Trailer 'Crysis 2 The Wall' was
best use of sound, gold winner at Promaxbda M16 Game Marketing Awards. Anna's role was Sound Designer.