Dear Tim, You ask what I wish to get from my AMPS membership. The answers are these: To meet old acquaintances/customers gained over my 30+ years in the film business. To keep in touch with what is happening in our changing world. As I am still supplying film equipment, to use meetings with people to promote my products, or at least to let them know what I am currently doing. To view films that I would not normally bother to see, in comfort at Pinewood or MPC To enable my wife to participate a little in my working world and to meet my friends, such as yourself.
Regarding Richard Daniels idea of a vintage equipment meeting, I am very much in favour. As a compulsive collector, I have some audio exhibits that interest me and will, hopefully, promote discussions between others. I have seen your 1944 Tonschreiber, but would love to see it again. A meeting like this is the only opportunity. Keep up the good work you are all doing on our behalf; it is appreciated. TERRY SUMMERSSUMMERTONE | Dear Amps Living about an hour and a half out of London, I cant claim to be the typical AMPS Member, as an event has to be really special to make me fight my way in and out of town on the A3 and M25 for three hours! Added to this, work this year has continued to expand to the extent that on the last five occasions that Ive earmarked to attend an AMPS meeting or film show I have had to cancel; popping in after work is not an option for me, again because of the time factor. However, from my own limited viewpoint I can make the following observations. Firstly, I think it is a very, very healthy sign that the Council thinks to ask the question at all. So many societies and associations appear to become fossilised, with those in administrative control gradually coming to the opinion that everything revolves around them and that the society exists solely to provide employment or diversion for them, while the members present an irksome distraction. AMPS is definitely NOT like this, thank God, and I am glad to see a good amount of self-examination. AMPS, to me, fulfils many functions. Living out in the sticks, and working on technically rather basic productions (I have worked solely with camcorders for years now: I have no practical knowledge of DAT nor, heavens above, of disk recorders), I look to AMPS to keep me up to date with current trends and innovations, I try hard to attend technical meetings, and when I cant come I avail myself of the audio cassette transcription service, for which I am extremely grateful and appreciative. The AMPS Newsletter also helps to keep me up to date in this regard. The point of sound-men (I use the term non-genderspecifically) having more clout when they act collectively rather than individually is also important. On-set noise, the |