To Dr RAY DOLBY
For his outstanding contribution to the enhancement of Motion Picture
Sound Recording and Reproduction.
Having
perfected the A-Type Noise Reduction System for magnetic recording in
1966 and had it widely accepted by the music recording industry, Dr
Dolby turned his attention to Cinema Sound and the improvement of Photographic
Sound Recording and Reproduction. In 1975 this resulted in the introduction
of Stereo Variable Area (SVA), the system that became known as Dolby
Stereo, the multichannel reproduction aspect of which took theatrical
`surround sound' throughout the world and even into the home on video
cassette. In 1986, further research and development saw Spectral Recording
(SR) providing even greater noise reduction, increased dynamic range,
improved frequency response and lower distortion, the benefits of which
gave new life to many analogue components of the film sound signal chain.
In 1991, Dolby gave us SR.D, a six track system of recording digital
sound photographically on 35mm film and reproducing it optically in
cinemas. By using the area between sprocket holes for the digital data
SR.D did not disturb the established film format and provided an easy
transition into digital film sound. On behalf of all engaged in Motion
Picture Sound Recording and Reproduction throughout the world, and from
cinema audiences everywhere, we thank you. We are proud that you have
agreed to accept Honorary Fellowship of the Association.
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To STEFAN KUDELSKI
For his outstanding contribution to the advancement of Motion Picture
Production Recording.
The adaptation, almost 40 years ago, of the transistorised Nagra 3 1/4
inch tape recorder for synchronised sound recording with motion picture
filming, was a giant step forward, especially in location recording
for feature and documentary film production. The subsequent development
of the Nagra 4.2 saw it become the standard tool for all production
recording throughout the world. This position was reinforced by the
Nagra 4S 2track machine which, while intended as a portable stereo recorder,
was put to use by many production mixers as a 2-track mono machine,
providing editing alternatives when using radio mics or mixtures of
radio and boom mics. The ubiquitous position of the 4.2 and 4S Nagras
continued worldwide until the arrival of portable digital recording
formats, including Nagras own tape and solid state recorders. However,
even today there are still many analogue Nagras in use and recordists
who consider that the recordings possible on these machines, especially
when using NagraMaster EQ. can remain in many ways, a match for digitally
recorded tracks. From Motion Picture Production Sound Crews everywhere,
thank you Stefan Kudelski. The members of AMPS are proud to have you
accept Honorary Fellowship of the Association.
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To GRAHAM HARTSTONE
This Fellowship is awarded for services in the formation and subsequent
running of the Association.
From February 1988 to June 1989 Graham served on the working parties
set up to investigate and organise a suitable association or guild to
represent those working in Motion Picture Sound. Graham's attendance
at those meetings was exemplary, his contribution of ideas was prolific
and clear reasoning in debate influential. At the foundation meeting
of the Association on the 25th of June 1989 he was elected to the first
Council, and has served continuously ever since. His support of the
Association, despite the pressures of work, has been exceptional. His
technical contributions on Sound Technology, the organisation of Theatre
7 film shows and his liaison with Pinewood management for provision
of meeting and function venues has been invaluable. All this has benefited
AMPS and has played a significant role in promoting it as a prestigious
industry organisation. This award is the result of a ballot of Council
Members.
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To HUGH STRAIN
This Fellowship is awarded for services in the formation and
development of the Association.
Hugh
was one of a small group that had long considered there should be an
organisation where all crafts and grades working in Motion Picture Sound
could meet to discuss ideas and problems common to all. From February
1988 to June 1989 he served on the working parties set up to investigate
and organise such a suitable association or guild. He played a major
part in the meetings and discussions that took place during that formative
period. His ideas and suggestions were always constructive. The generous
amount of time he gave proved his dedication and desire to see an organisation
successfully launched. On June 29 1989, he was elected to the first
Council and subsequently, at the Council meeting of July 4th, elected
first Chairman of the Association, a post he filled with distinction
for the following three years. This award is the result of a ballot
of Council Members.
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