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Sound was first recorded on the |
The ancient Greeks knew that sound as heard by the ear consisted of vibrations of air which, at certain frequencies, could even cause objects to vibrate. Records indicate that resonating panels were commonly used to improve the acoustics of Greek theatre. Back in the year 18 BC even the Romans installed large metal vases in their amphitheatres, specially tuned to vibrate at certain frequencies. But it was not until 1857 that the first instrument for recording these vibrations was patented by Frenchman Leon Scott. He called his invention the 'Phonoautograph'.
The recording medium was a piece of smoked paper attached to the surface of a drum which, when rotated, moved forwards along a helical screw. A stylus was attached to a diaphragm through a series of levers, which moved in a lateral direction when the diaphragm was vibrated by a voice. This caused a wavy line to be traced on the smoked paper. A barrel shaped mouthpiece was also included in the design. This was purely a device for accurately displaying sound waves, and it was not the inventor's intention to playback a recording.
The Phonoautograph promoted a flurry of activity by inventors in many countries, but it was another twenty years before Thomas Edison brought out his epoch making 'Phonograph' in 1897 which could record as well as play back. Scott's smoked paper was replaced by tin foil, and the stylus was attached directly to the diaphragm to trace a recording of variable depth (hill and dale). In subsequent models the tin foil was replaced by a wax cylinder which continued to be used for many years, Edison cylinders were finally discontinued around 1928.
JOHN ALDRED